Sunday 11 December 2011

WINOL SPECIAL- November the 30th, National Pension Strikes

We did it! The four hour live coverage on pension strikes on November the 30th was a huge success. Considering that noone really believed that we can do it outside the studio (not even I believed it) and we stayed live for so long, bringing in outside guests and packages from our correspondents that worked in different places on the day, I can comfortably say that I am very proud of our amazing team work and team effort. 

Being outside your comfort zone is extremely stressful because you are stepping into a room where you don't really know what to expect or you don't know how to react in case something goes wrong. This was my and everyone else's opinion about covering the strikes in the Unite the union office in Southampton. Having been and worked in the TV studio for the last year and a half, we all comfortably know everything about it. We know what could possibly go wrong and how to fix it. We also have our two technical heroes- Dave and Corrin who we can run to and ask for help. Being in a strange place with all this TV equipment and broadcasting from there for four hours seemed impossible to us all.

But what I have learnt in the last four years is that impossible is nothing! Neither was the strike coverage from Southampton.
The Unite the union office was huge and bright. That was the first thing that cheered me up. We set up on Tuesday, a day before the strikes and we had a small rehearsal. 

On the day of the strikes we went live at 12.00pm and everything seemed to be going smoothly till Chris realised that the sound on the actual LiveStream was playing up and it was impossible to hear Cara. We tired fixing it for an hour, which was a huge let down. But we fixed it, which proves that we don't really need Dave or Corrin as much as we think. Of course if they were with us, the problem would have been fixed quicker. The next three hours went just so great. 

Our reporters did an amazing job. They were all in different places, such as London, Basingstoke, Winchester, Southampton. They all continuously interviewed those that striked and tried making packages to send into the studio. Unfortunately the strikes didn't turn into anything big, instead they calmed down so there were no breaking news stories. 

The correspondents from other universities, such as Liverpool and London Met also did incredibly well helping us with the national strikes. Unfortunately, we couldn't hear London Met as well as we planned so their interviewed didn't happen but Liverpool was clear and very helpful.
 
Teamwork is so important. On November the 30th we proved what an amazing team we make. We trust each other and share responsibilities. We are always willing to work together, share the jobs and help each other out. We are all ambitious and we always aim for the same target. We put all the effort we possibly could  into this project. And that is why we succeeded.

Here are the highlights of our record- breaking four hour strike coverage on pension strikes. 


Monday 28 November 2011

30th November Strike Live Coverage



On Wednesday, 30th of November the Winol team is traveling all the way to Southampton to broadcast a LIVE strike coverage from the Unite the Union office on the Avenue. Originally, we were planning to do it in the studio but we decided we want to be as close to the heart of strikes as possible, so the union office seemed perfect. It is the first time we broadcast something outside of the studio so it is a big challenge for us but the preparation is going well so far, so lets hope for the best.

There will be over 20 unions striking all over the UK over pensions. This will cause disruptions in places such as schools, hospitals, airports, courts and libraries. It will be the largest co-ordinated action ever seen in the UK.

WINOL reporters and producers are preparing for a 6-hour Live coverage. It will include in studio special guests discussing the issue, outside broadcasts from Winchester, Southampton, Basingstoke and London. We will be delivering breaking news stories as they happen on the day. This is going to be a UK-wide live coverage as we have our own correspondents from other universities who will be working with us on the day. That includes: London Met, Buckingham and Manchester,. We will not be missing anything.

My role for the day is director which I share with Dan, who will be taking over from me after 3 hours, at 15.00, or whenever I need a quick  break. Directing is going to be quite difficult in the office as I will be in the same room as the presenters who will, of course, be mic-ed up so anything I say will be picked up by their mics, therefore Cara, Hana (the presenters) and I have worked out a sign language that will help us communicate, if unnecessary, during their links and during an in studio discussion with guests. Otherwise we will only be able to communicate when the packages are running. We are hoping to get plenty of rehearsals done in the studio tomorrow so everyone knows exactly what it's all going to be like on the actual day.

The in studio guests are highly important during the coverage. So far we have:
1. Councilor Keith House: Leader of Eastleigh Borough Council/ Liberal Democrat opposition leader of Hampshire County Council. He will be coming in at 3.00 pm.
2. Ian Woodland: Unite representative for Southampton. He will be coming in at 2.00 pm
3. Seb Miell: University of Winchester Studen Union president.

I have also managed to get in touch with Tommy Geddes, the Deputy Vice Chancellor, who is willing to give us an interview on the day from campus where our Winchester correspondents will be. We are also pre recording an interview with Councillor Royston Smith. The Conservative Leader of Southampton City Council.


I think there are more guests still to confirm their attendance 

Here is the Production Rota for the day. I will print out and put it on the wall in the union office. But have a quick look now anyway.


Thursday 24 November 2011

Winol Life with Lorelei Reddin



It has been three weeks since last Winol Life. The delay is due to my going away to Estonia for a week, but also the lack of packages last week. Fortunately, we managed to produce it this week with the help of Lorelei Reddin who kindly agreed to join our show this week. She has been the entertainment editor of Southern Daily Echo for the past 6 years and she is still really enjoying it. Lorelei was very friendly and bubbly and provided our features reporters with a good, constructive criticism and good advice for their future video features.

There were no technical problems at all this week. Not major ones anyway. Lorelei came in at 11.40, as I went to meet her the rest of the team stayed in the gallery and rehearsed the script. We used three video packages this week: The re-edited Giraffe restaurant review, games review and an exclusive interview with the marketing manager of Coldplay- Alex Eden-Smith. Lorelei really enjoyed watching the packages and she thought they were really good.

I feel that Winol Life is getting better and better, the team knows the show well now and understands what it needs to look like. We also work really well together as a team, I think this is really important that we know how to communicate with each other. Everyone is always supportive and positive. Well done everyone, great job this week!

Enjoy watching Winol Life.

Freedom of Information Act

Freedom of Information Act allows people, including journalists to have the right to access any information held by public authorities, such as Government departments, local authorities, the police and hospitals. It can be any any information. This is important for the citizens to know everything they need to in order to make democracy work. By having a access to essential information they can plan for the future, as well as choose which politicians to vote for.
This is also an interesting source of information for investigative journalists. The Freedom of Information Act allows them to produces free exclusive news stories. We had one of them at WINOL a few weeks ago produced by Julie. She investigated the number of previous convictions of police officers in Winchester, by sending a request to Freedom of Information Act. 

The frustrating thing that journalists have to go through while investigating is the fact that they information can be really delayed, so the story has to be planned in advance. If a public authority receives a request for information it must make a response within 20 working days, either giving the requested information or explaining why it can not be supplied. 
There are various reason for why the information may not be supplied. That includes the possibility that the public authority does not hold the information, or the request would exceed the cost limits for the provision of free information or that the information is covered by exemptions under the Act, and therefore need to be supplied.

The information that is held by the public authority will be provided free of charge if it costs government department £600 or less to provide, or any other public authority £450 or less to provide. 


Monday 7 November 2011

Law lecture- Confidentiality and Privacy

Confidentiality – official secret act and test of confidentiality
Privacy - Disputed territory between Article 8 (right to private family life) and Article 10 (right to freedom of expression)
In the public interest- not just of interest to the public.

Confidentiality

Here is yet another rule to the selection of important rules that Journalists have to obtain every day of their work life while reporting on current affairs. Confidentiality is run by Common Law
Everyone is allowed to keep secrets as long as it is not in the matter of public interest ( as long as it doesn’t have an effect on the public)
If confidential secrets given to somone, that don’t affect the public were passed onto the third party without a permission then they committed breach of confidence which is a crime that may be a subject to a civil action for compensation.
If the secret information is revealed to a journalist then this has the potential to be Third Party Breach of Confidentiality.

Breach of confidence is committed when someone passes on secret information that has:
1. The necessary quality of confidence
2. There has been no permission to pass on the information
3. The detriment is likely to be caused to the person who gave info.
4. The information must have been imparted in circumstances imposing an obligation of confidence

All of above must be used for the information to be confidential.

In order to stop confidential information from being published the person to whom the secret belongs to has to get a temporary injunction preventing publication of confidential material. An injunction against one media organisation is an injunction against all publishers.
Super injunctions are different. They have been broken by MPs using parliamentary privilege – and journalists using qualified privilege.

Privacy

Also known as personal secrets.
Article 8 of the human right states that everyone has the right to respect for their private and family life, their home and their correspondence.  It is unacceptable to photograph anyone in a private place without their consent.
Privacy mainly affects tabloid and celebrity Journalism.

As in every other set of rules, there are expectations in the privacy code set on grounds of public interest:
1. Detecting or exposing crime or serious impropriety
2. Protecting public health and safety
3. Preventing the public from being misled by an action or statement of an individual or organisation.

Consent is an essential part in video and photo journalism. There are two types of consent. A journalist has to get one of them to be able to either film or photograph the scene/person.
1. Explicit consent: is when someone signs a written permission/ contract that allows to publish a picture or an article
2. Implicit consent: understanding of being filmed, for example in the crowed when everyone knows that the camera has a purpose to get shots of the crowed. If a person doesn’t want to be included in the shot they can just move away from it.

Public Interest

There is no legitimate public interest in knowing the whereabouts and behaviour of individuals generally in their private life despite appearing in public, regardless of their private live. A legitimate expectation of protection of one's private life is to be extended to be the criteria for assessment. A fair balance is to be struck between the right to privacy and the freedom of press

Wednesday 2 November 2011

WINOL LIFE with Elizabeth Barnett

The new episode of Winol Life is now ready for you to watch. This week has been a high success compare to our last show. The organisation, preparation, and the overall outlook of the show improved dramatically. We should all be proud of our hard work and great effort.

This week we were honored to have the editor of Hampshire Life magazine on our show. Elizabeth Barnett kindly took out of her busy schedule to join our on-sofa discussion. Elizabeth was very nice and chatty, which made the show look so professional, relaxed and informal, which is what we are aiming for. She gave a very good constructive criticism to our features reporters but also gave all of us a really good advice on how to get into the industry after we graduate. I think many of us felt more confident about the future after our lovely chat with Elizabeth.

We used a variety of shots this time. We used 4 cameras instead of 3. The fourth camera was a PD170 that we had plug into an OB box outside the studio to make it work. That camera was set especially for the short yoga show. I thought it would be a good idea to have one of the presenters demonstrate yoga. I thought it would look like one of big morning shows such Daybreak. We also used radio mics, rather than long poles with gun mics on the top of them. The studio as a whole took a long time to set up, as in terms of production I would consider this show to be the most complicated one out of all the other things we do, which is Sportsweek and the news bulletin.

I also slightly changed the style of WINOL LIFE, trying to give it a little bit more character and making it look like a professional chat show. I knew we were lacking something last time we filmed it. This time I added headlines- a 'coming up on the show' character, which I think is essential to keep the audience interested and intrigued. I also made new WINOL LIFE strap lines for the in studio guest as well as the reporters, which I think also looks quite effective, but please do give your opinions.

The problem of the sofas:
THERE IS NO PROBLEM! No longer, anyway. We had a slight issue in the first show, as there were no sofas on the campus available for us till I spoke to Tommy Geddes, and who kindly let us borrow the sofas for the first show. However, he wanted us find out own sofas after that which was impossible. We even tried to get some money which would allow us to go to IKEA and choose our own perfect sofas, but that wasn't an option. After negotiating with Tommy, he allowed us have the sofas for the rest of this term, so for the next 3 episodes of WINOL LIFE

Elizabeth arrived at 1.30 and I took her to the news room where our WINOL LIFE team was waiting to meet her. I introduced her to everyone and showed her around our news rooms. Soon after we went through the script explaining what the show was going to look like. We explained the questions that we were going to ask her about her and we also showed her our features packages to help her get an idea of what feedback she would be giving live in the studio.

Once we were in the studio we didn't have any technical difficulties in the gallery (Hallelujah!) therefore the show went smoothly and fairly   quickly. Elizabeth is a natural speaker so she seemed like the task of giving feedback was a simple task and she did it brilliantly.

The post production was a simple process once again. The show was 15 minutes long and my aim was to have only 13 minutes which would be simple to upload onto, whereas 15 minutes is too long and we would use the good quality like last time and I wanted to avoid that. Cutting over 2 minutes seemed almost impossible. But with Chris' help I managed to cut out the most unnecessary bits.

Overall, brilliant show and brilliant production work so WELL DONE everyone and thank you for your hard work.



Hope you enjoy the show, please leave comments, critics and thoughts.

Friday 28 October 2011

Winol 26/10. My first go at Live presenting.



Here it is. I finally found the courage to have a go at ENGLISH and LIVE presenting. Only a few people know how much of a big deal it was for me. But I can proudly say that I've done it. Tick on the list.

Only a few sentences about the bulletin:
There have been, as usual, many technical difficulties, especially when we went live. After my third link, the VT machine broke and the package didn't play, leaving me in the studio 'Add -libbing'. Fortunately, in the post production we got rid of the link and the package, leaving the bulletin looking tidy.
George directed this week. For his first time directing, he did an extremely good job. It almost felt like he has a natural talent :) So very well done for that. The production was as usually perfectly organised, which kept me calm till the very end of rehearsals. George, previously moved the deadline to 3.05, but rightly so, changed it back just 40 seconds before we went live.  It was the counting down before we went live that made me nervous. I unfortunately showed it in the first 3 links, but then the nerves went and the rest of the bulletin went smoothly.

The quality of news packages unfortunately decreased, comparing to last week's bulletin. The pictures need to be improved in packages and in headlines. They need to attract the audience, they have to be memorable. The script, of course, still needs improving. We need to use less complicated sentences and words. This week's script was in fact quite complicated and difficult to read, but it can definitely be improved in the future.

I think that's it for this week. It was an unusually enjoyable experience.

Hope you enjoyed the bulletin.!

Law Lecture, week 4 -Copyright.



Today's law lecture was taken by a guest from the BBC- Peter Hodges, who is an expert in copyright.  It is a very short, but very important chapter. Copyright protects intellectual property, which include products of other people's creativity, effort and skills. It covers music, lyrics, films, pictures, design rights, graphics, etc. For work to be under copyright protection it has to be original with lots of effort and research put in to the work. The piece of work has to be shown to someone as well; otherwise, if the work is hidden or had never been seen by anyone, then it is not protected. Copyright prevents from stealing somebody else's work. The owner of the copyright has the exclusive right in the UK to: make copies of the work, issue copies to the public, perform the work in public and broadcast the work.



When it comes to Journalism, there is no copyright in facts, news, ideas or information. It is the way the fact has been expressed and the news has been presented that makes it be protected by copyright, because it involves skill and labour.

There are numbers of cases, where a reporter CAN reproduce someone else’s work without permission and without and without infringing copyright.

1. Defence of Fair Dealing.
Coping facts or news stories from another newspaper can be seen as stealing, because of labour, skill and judgment involved into the research. A reporter can use the defence of fair dealing for reporting on current events, which will sometimes allow quoting from another newspaper.
Reporters can use facts and information from another article, as long as  they don’t use the picture used in the article, as they are excluded from fair dealing defence. The author of the article/ information has to be mentioned and has to be made available to the public.
If you write an article, or take a picture you own the copyright to the work you have done. If someone buys a copy of your work, they can look at it or read it, but they cannot make copies of it. They can sell the copy they bought to another person, but they cannot legally sell copies they make.



2.Private study or non commercial research, which is not very relevant to Journalists.

The key that makes work infringe copyright is publishing it. Researching and rewriting someone else’s work just for your own educational benefit is not a crime, as long as the work doesn’t become open to the public.

3. Criticism and reviews.

This is another exception where it is fair to have limited use of copyright in work that includes a photograph. The work must have already been available to the public before you a reporter can use this defence. This allows for reporting which quotes from books, plays, films, and broadcast when writing a criticism, story or a feature. The reporting has to be FAIR.

4. Incidental use

‘Use is incidental if copyright work is in the background or subordinate to the main focus of the work in which it is contained’. It is an exception when a reporter honestly had no idea that the work was a subject to copyright. This exception can be deliberate in any case, except in the case of music.

Who owns the Copyright?

The very first owner of a copyright work created after 31 July 1989 is the author. However, in the case of work done in the course of employment- the employer is the owner.

The copyright lasts for the life time of the author plus the next 70 years. When it comes to music it is the same but after author's death there are 50 more years of protection.


REFERENCES:
McNae's - Essential Law For Journalists

Saturday 22 October 2011

Media Law, Week 3, Qualified Privilege and other defences.



There are numbers of defences that journalists can take in order to avoid a costly libel action against their stories.

One of them, justification, as a defence means that a journalist has to prove in court that the libel statement is true. To justify their point they need to use relevant evidence. The reason for why justification is a difficult defence is because the claimant who started a defamation action against the publisher doesn’t have to prove whether the statement is true or false, it is in a publisher’s business to make sure they have a proof to defend their story.

Fair comment, however protects published articles which were just pure comments, rather that factual information. In order to be able to seek this defence, the comment has to be recognisable as opinion. It should not be perceived as factual allegation, but it has to be based on true facts. The subject commented on has to be a matter of public interest.

Qualified Privilege is a type of defence again libel taken in defamation actions. It is also available in situations where it is considered important that the facts should be known in the public interests. There are two types of QP: Statutory qualified privilege and Common Law qualified privilege.

Statutory qualified privilege can be used in certain circumstances, such as court reporting, public and council meetings reporting and reports of police statements. The published report has to be accurate, fair and free of malice. There is also a requirement for Statutory qualified privilege which states that the matter published must be a matter of public concern, the publication of which is for the public benefit.

However, Privilege at common law can be applied in situations where the law protects defamatory statements that are untrue, for the convenience of the public. For example, it applies when a person makes a defamatory statement in the performance of legal, moral, or social duty to a person who has corresponding duty or interest in receiving it.

The Reynold’s defence includes 10 points, which protect published material, which was then taken as defamatory, provided that it was a matter of public interest and that it was the product of ‘responsible journalism’

10 point test includes:

1.The case has to be serious- the more serious allegation, the more protection will be applied.
2.The nature of information
3.The source of information
4.The status of information
5.Evidence is essential
6.The urgency of the matter
7.A comment from the claimant is needed
8.The tone of the article- it has to be written in a balanced language
9.It has be to published immediately
10.A claimant has to have a chance to deny it.

The Galloway case:
The Daily Telegraph lost the case after making serious defamatory allegations against George Galloway, including elements of malice with no Justification, comment or QP. The reason for losing the case was that journalists failed the ’10 point test’, mainly because the paper did not put all its allegations to Galloway for him to deny before the information was published.

Here are just rough notes taken in the last law lecture. I also used McNae's- Essential Law For Journalists to help me write and understand the notes.

Thursday 20 October 2011

WINOL LIFE- October Edition


WINOL LIFE has finally arrived. (I know you all have been waiting for it!) Just a little background of the show for those who aren't sure what it is:
Winol Life is a studio based discussion where guests come in, watch a few video features that students have created, and then talk to our in-studio presenter about the feature in question. Often offering constructive criticism or just comments. A notable guest editor that has been on the show in the past is Laura Barton- features writer for the Guardian. This time we had an honour to have Sally Churchward as our in studio guest. Sally is a senior features writer for the Southern Daily Echo.

The first episode of the show went really well, considering it was our first time. However, editorially I would say it was just a trial and a learning curve for the whole team and me. We managed to make quite a few mistakes which I will try to improve and avoid next time.

The planning stage:
As I have mentioned before I am the producer of Winol Life, which means I am responsible for the whole show. It involves planning, organizing the style, inviting guests in, booking them a parking space if they are driving, creating the graphics and the script.

One of the mistakes I made this time was taking all the jobs by myself, instead of dividing them within the production team. Trying to be independent and almost selfish when it comes to work is definitely one of my faults. This is what will improve next time. So prepare for more work next time, guys!
In an email to Sally Churchward I explained the show and what the day was going to look like when she arrives. She seemed confident in her emails. After the show, when all the nerves and stress disappeared, I had a chance to have a longer chat with her. She said she was also quite nervous but enjoyed the experience and the show. We may see Sally back in Winchester when she comes with her photographer to write an article about us.

One problem that we had which was quite big and frustrating was the lack of sofas on the campus. I tried ringing around, tried the campus porters and I was unsuccessful, which meant that the show couldn't really happen as it was all about 'sofa discussions'. On Monday, a day before we were filming, Chris, Brian and I spent the lunch time running around the campus, looking for anything that looked like a sofa, or that could look like one. But that was also unsuccessful. I thought there was only one thing I could do. I went to talk to Tommy Geddes, the Deputy Vice- Chancellor, who has recently purchased nice, red sofas for the staff room at the university. They were perfect for our show. Thankfully, after having a nice talk with him and after asking nicely, he let us have two of his lovely sofas for Tuesday.

Another problem that we had was a technical issue in the gallery on the day. The gallery was a total mess when we walked in on Tuesday morning and took at least 3 hours to sort it out and even after sorting it out some things still didn't work. Dave, our technical person, was with us for at least 30 minutes trying to sort out the vision mixer which refused to work. This prevented us from having a proper rehearsal before Sally came in. This built up the tension, stress and nerves. People weren't too sure what they were doing as it was our first go at WINOL LIFE. Sally arrived at 11.00 am, I went to meet her at the university's reception and gave her a short tour of the news room. I talked her through the show again so she knew what to expect.

The post production was simple. I had to cut out one package as we ran over 15 minutes. I reduced the show to 14 minutes which was ok, but not great. The show as a whole was too big to be uploaded on YouTube, it took me and Chris 3 hours to work how to prevent the upload from keep failing. Finally, we compressed it in Final Cut Pro and made it smaller. That, however, ruined the quality of the show. While uploading onto YouTube the quality became even worse and the show is out of sync. It is not a huge issues, other than that Winol Life looks professional.

The show went quite smoothly. We only had one run through and then we went live. I was really pleased with how easy it was to film and how well we seemed to work as a team. Even if it wasn't perfect, we still put the whole, really complicated show together. It is complicated because we use all the studio cameras, we have a guest in the studio, we run all the packages and we have only one take.

The presenters: Hannah Keegan and George Berridge did and excellent job. They knew the script well and they were confident. The reporters: Zoe and Becky, as well as Ewan and David were also brilliant with their answers. Great job guys!

Therefore, despite all the mistakes, and technical difficulties, the show could have gone MUCH worse than it did. I think the organisation was brilliant, the team work was great, and if there was no stress or nerves, everything would seem to be more at ease.

We will be making mistakes in the next episodes, but that's the way to learn! I am more than sure that the number of mistakes we reduce more and more and the last show will be simply perfect.

Thank you to everyone for your help and hard work. Thanks to Sally for joining us and giving great feedback.

Now, it's time for you to see the show and decide whether you can spot many mistakes (Other than the out of sync. issue). Feel free to give feedback, as it is really important for me to know what I can improve for the next episode.





Monday 17 October 2011

Media Law- Libel and Defamation.



'Law exists to protect the moral and professional reputation of the individual from unfair attack'.
My understanding of Defamation is a false statement of published or spoken facts about a person, company or organisation. It can lower their reputation or make other people think less of them without justification. 

The following examples show how reputation can be lowered and therefore, when a statement becomes defamatory.
  • Exposes them to hatred, ridicule or contempt
  • Causes them to be shunned or avoided
  • Discredits them in their trade, business or profession 
  • Generally lowers them in the eyes of right-thinking members of society


Journalists have to be extra careful with their statements, as they can be sued for anything that can’t be proved. For example, if a publisher tells a story about a person who is a liar or a cheat or in financial difficulties, the statement can easily be considered as libel unless the publisher has a defence, such as evidence.
Another ‘tricky’ thing that Journalists have to take special care of is words that carry more than one meaning. (English can complicate your life sometimes!). There are statements such as Inferences, which can be read/understood by someone in a wrong way. They have secondary meanings, a person could read them ‘between the lines’ and then can make a wrong conclusion.

The statement, however, can be protected by defence in libel law. A claimant has to show the court three tings when suing for libel:

1. The publication is defamatory,
2. A defamed person has been identified
3. It has been published to a third party.

It is quite similar to Slander, which is the type of defamation with no permanent record. Normally it's a spoken statement. It requires defamation and identification but NO publication to a third party. For example, it can be seen as a form of conversation.

Journalists need to remember that the defamed person doesn’t have to prove that the statement is false. If it is defamatory then it is obvious that the statement is false, however if the journalist can prove their facts than that’s their evidence, therefore, defence. The defamed person doesn’t have to prove intention or any proof of actual damage. All they need to do is to show the false statement.

There are four main defences that journalists can use:

1. Justification- The defamed person needs to prove that defamatory statement identifies them. On the other hand, the publisher needs to prove that the publish statement is true, by using essential evidence.

2. Fair comment- A statement has to be an honest opinion based on fact. No malice should be included. The subject commented on must be a matter of public interests.

3. Absolute privilege – It’s a complete answer and bar to any action and defamation. It doesn’t matter whether the words were true or false, or spoken maliciously.

4. Qualified Privilege- which is a specific protection against an action of defamation given in the first place to judges, lawyers, and witnesses in court cases. It is also a defence where it is considered important that the facts should be freely known in the public interest.

There are a few situations where defence cannot be used. This is when reporters:
  • Haven’t checked their facts,
  • Haven’t ‘referred up’,
  • Haven’t put themselves in the shoes of the person or company they write about,
  • Got carried away by an exciting story
  • Haven’t bothered to wait for their lawyer’s opinion.  


This is a lot of rough notes and definitions, but they are one of the most important law rules that a journalist needs to know in order to be able to report and never be sued.

McNae’s- The essential law for journalists helped me write up these notes. 

Monday 10 October 2011

Winol Week Two


It was the second week in our new roles. I imagined that the bulletin would have gone much better than in our first week, yet I was wrong. Rachel Hepworth was our guest editor this week. She patiently watched us all get ready for the bulletin and then she gave us many useful comments and tips in the debrief. I think we all learned a lot from her notes.  

There were several issues that affected the bulletin as a whole. The biggest mistake we made this week was missing the deadline. Instead of going Live at 3.00 we went live 15 minutes later. This would be a huge issue on a real TV channel and it would probably never take place. Angus Scott, one of our lectures and ITV sports presenter has told us before never to go live at all if we don’t make it for 15.00 pm on the spot. However, this hasn’t been anyone’s fault in particular. I think there was a misunderstanding in the gallery, as well as technical difficulties, such as the lack of talk back, incomplete packages and just general chaos. Jack, our new production editor took on too many jobs. As well as overseeing the bulletin as editor he decided to direct as well, which made it impossible for him to notice little problems, such as pressing the record button at 3.15, as he was concentrating on counting down the VT and cueing in the presenter. Therefore, I think everyone tried to get involved too much into controlling the Gallery, as it just seemed like a little bit of a mess. We need a little bit more discipline in there, but also organisation. The production team didn’t do anything till after 12.00 by that time they were late for headlines, therefore the rehearsal didn’t take place till late which caused the bulletin miss the deadline.
This week my role was to play VTs from the machine. I managed to set an OB kit in the news room for our breaking news story which we couldn’t use in the end because the lack of sound from the news room. We had Felicity in the studio with the presenter instead.

The presenters- Hannah and Sam did a very good job despite the stress and technical problems. They were both confident and sounded great. The only thing I would say is the handover. I think the presenters should have a relaxing chit chat about upcoming sport packages to ease the stress and tension.


The content of the bulletin was good, but yet not quite excellent. We keep having problems with the headlines. Rachel said that they are good; however they didn’t attract her enough to want to watch the rest of the bulletin. This is something the team really need to work on- the right clips and words. Another thing that needs improving which Rachel and Angus agreed on was our script. They are nowhere near as good as TV scripts. The style of them is also wrong, but this is due our script machine being broken. Usually in the scrip you need to have: a slug, package duration, out words and a link. There should be 5 copies of it as well, 2 for the presenters and 3 in the Gallery.

Overall, well done for putting a lot of good effort everyone, let’s try to improve those little mistakes and the bulletin will be perfect once again. 

Friday 7 October 2011

Reporting Crimes and Courts


Knowing criminal law is an essential skill for all journalists, as they have to know exactly what they can and can’t include in their reports in order to make them accurate, fair and to avoid committing contempt of court.
All journalists are at risk of being sued for their stories, therefore it is important that they know how to avoid that risk. Prejudice is one of the main things that can put them at high risk. Prejudice means ‘pre-judging’ something; if a reporter makes a statement about a person or an event based on false beliefs or before knowing the case well, they are most likely to be rightly sued for their report. It is important for reporters to get their facts right and to get to know the story well before reporting on it, as well as staying objective and open minded, trying not to pass the judgment too quickly.

Standard of proof in criminal law
For anyone to be convicted of a criminal offence, guilt must be admitted or proven in court ‘beyond reasonable doubt’.
The court journalists can start reporting on the case when it becomes ACTIVE. That happens when the police make an arrest and when the person gets charged. However, the case is not active when an arrest is made with no evidence. In that case the suspect can only be kept under arrest without charge for 24 hours. By law, if they have not been charged within that period, the person has to be released.

The pre trial reports include 7 points of what a reporter can include in statements. That includes:
- Names of defendant, ages, addresses, occupation.
- Charges faced or close summary.
- Name of court and magistrates’ names
- Names of solicitors or barristers present
- Date and place to where the case is adjourned
- Any arrangements as to bail. ( Bail is a system by which a defendant is given his/her liberty until the next court case)
- Whether legal aid was granted.  

Criminal charges are divided into three main categories. Reporters are expected to be able to tell the difference between them, as each category requires different rules for reporting. There are some details that the Automatic reporting restrictions don’t allow to include in reports on some hearings at magistrates court. Journalists need to be able to distinguish those restrictions.

1. Indictable-only offences, which are the most serious crimes, punishable by the longest prison terms.  Possible sentence of 5 years or more. Examples for this type of crime would be murder, rape or robbery.
2. Either-way offences- such charges can be dealt with either at a Crown court or at Magistrates court. Magistrates can decide whether a particular case is a serious one which needs to be dealt with in Crown court, or if the magistrates can deal with it
3. Summary offences are very minor ones compare to the other two, they include crimes such as common assult, drunkenness. These are also relatively easy to deal with and they stay with Magistrates court.

Tuesday 4 October 2011

Winol is back! Week 1.

After a very long and productive summer, I am back to join the rest of the WINOL team for the last time.  It feels strange thinking that it has already been a whole year since WINOL became a huge part of our lives and after Christmas we will no longer be a part of it.

Surprisingly, the term started completely differently to what I imagined. I was expecting panic, running around, screams and arguments because of frustration of not working cameras or computers. However, the first week back was very calm. The new members of the team seemed relaxed and prepared for the hard work. They also seemed curious of what it was all going to look like, especially that they never had the essential training on how to make a news package. Last week’s bulletin was only a dummy edition in order to let the second years get used to the equipment, getting the interviews, having balance in their packages and getting to know the editing system.  I thought the bulletin went really well production wise, there were no technical difficulties, everyone seemed to know what they were doing, Domonique was a good director. Domonique and I tried to pass on all the knowledge we have about the Gallery and the studio to the new production team, who picked up everything easily.
The reporters met their deadline and the script was in on time, which didn’t happen very often last year. This term looks very promising so far. Of course, there were little mistakes made by reporters, such lack of white balance and some of the shots were out of focus, some content was lacking balance. These mistakes were essential last week, as that’s the only way you can learn how to produce a decent package. The content wasn’t brilliant, but we definitely had worse in previous bulletins. The aim of the dummy edition was for the new ones to get an idea of what a package should include. Well done everyone for trying hard.

My role on WINOL this year is Features Producer, alongside with Domonique. We share the role but have different jobs. Domonique is responsible for in studio, regular shows which we produce on Tuesdays, such as Sportsweek, whereas I plan, organise, produce, edit and upload a number of editions of WINOL LIFE and other special projects. I need to attend every features conference and discuss ideas for WINOL LIFE show with the Features Editor, Katie. As Features Producer my aim is to get trains on the Outside Broadcast kit, which we can use on the 25th of November in the Performance Gym. I am also planning to select a number of features students who can get trained on advanced technical equipment such as gib and dolly with me, which could be useful in perfecting WINOL LIFE, making it look more professional.

This week, starting from Monday I had a feeling of confusion from other members of Winol team, about their roles especially. I think it may be because we are all used to our old roles and being reporters and producers, which is more productive in terms of creating content, rather than having editorials roles, where we are responsible mostly for legal issues and overseeing the content that our new reporters produce. I think this feeling of confusion is going to pass soon when get used to our new roles and when we discover what exactly our particular role involves.

This week is going to be a real bulletin, which is going to be watched by out first guest editor this year – Rachel Hepworth from ITV Meridian. Good luck everyone :-)

Monday 3 October 2011

Media Law, Week 1 Lecture 1- Hierarchy of Courts.

‘The media are the eyes and ears of the general public’.

Law in the UK allow citizens to ‘free press.’ Some of them, especially journalists are aware that this kind of freedom, especially freedom of expression, must have some strong restrictions by the law. There has to be a balance between the media being free to expose wrongdoing and an individual being able to defend themselves from baseless attacks. Therefore, the UK law provides the law of defamation – LIBEL and SLANDER- which tries to get that balance.


The Hierarchy Of Courts in England and Wales.

The United Kingdom of Great Britain and Northern Ireland (UK) consists of four countries: England, Wales, Scotland and Northern Ireland.

Some law applies throughout the whole of the UK and some applies in only one, two or three countries. In our first Law lecture we talked about the hierarchy of courts in England and Wales in order to help us understand their importance.



HOW CRIMINAL LAW IS ENFORCED IN ENGLAND AND WALES

If a crime has been committed, the police are being informed in order to conduct an investigation. If, after arresting and interviewing a person, the police believe that the person committed the crime, that individual is charged. A report of the case is then sent to the Crown Prosecution Service (CPS).

If the case has been considered successful by the CPS and if it would be in the public interest to do so, it will start criminal proceedings against the suspect, who becomes the defendant in the case. In court, the CPS bears the burden of proving, beyond reasonable doubt, that the defendant committed the crime.

Minor offences, such as speeding, are heard by Magistrates’ Courts. Many towns in England and Wales have their own Magistrates’ Court, where cases are heard by three magistrates. Magistrates do not need any legal qualifications, and they are advised by a Clerk, who is a qualified lawyer. Magistrates do not state reasons for their decisions.

Very serious offences, such as murder and rape, are heard in the Crown Court. The Crown Court is based in about 90 centres throughout England and Wales. A jury consisting of 12 people chosen at random from the local population will decide, without giving reasons, whether the defendant is guilty of the offence.

Some intermediate offences, such as theft, may be tried in a Magistrates’ Court or the Crown Court.


References:
McNaes, page 3.
http://www.ilex.org.uk/about_legal_executives/the_uk_legal_system.aspx

Wednesday 6 July 2011

Director of Winchester News Online

For the last few months I have been writing about what I had been doing as director of Winol. I have decided to make a little film to show what exactly my role was but also to let you can come in to our little production environment and feel the atmosphere, the adrenaline as well as see how much fun, loyalty, teamwork and friendship we shared in the Gallery last term. Hope you enjoy!



Friday 10 June 2011

Slut Walk Manchester- Trust me, my mini skirt has nothing to do with you!

We live in the 21st century, in the world of freedom, democracy and privacy. We should be free to choose our own paths in life, we should be free to speak and we should be free to do what we want. We live only once in this world and as human beings, we have the rights to live in dignity and enjoy our lives and let others enjoy theirs.

Women are subject to all sorts of assaults the minute they step out into the streets - whistles, cat calls, lame comments, propositions, stares etc. The stories are all too common and they are based on incidents that occur every minute of every day on the streets.

And this is for all those who say, well, the women invite it by the way they dress. Since when do women need to control the way they look? Why can’t they wear anything to show off their perfect bodies without being accused of looking like ‘sluts’ and since when wearing short skirts is an invitation for men to approach women? It’s their own choice to wear what they want. Respect it. What does a woman's dress have to do with how a man reacts to her? Men seem to think women dress for them, while they REALLY do not. Everyone loves looking good and sexy but that’s because it makes them feel good about themselves. And yes, of course women like some male attention, but that’s not an invitation to anything.

What gives a man the right to think he can feel up a woman no matter how she is dressed? Do women, then, have the right to do whatever it pleases them to a man because they like the colour of his shirt? It all makes me so angry. It’s just unbelievably wrong.


In January, a Toronto police officer told students that in order to avoid being raped 'women should avoid dressing like sluts'. This outrage statement basically says that if we behave or dress in certain ways, we deserve to be raped. That’s an attitude in our society which needs to be fought against and needs to be CHANGED. Rape is NEVER the fault of the survivor.


Today at 19.00 SlutWalk will take place on Manchester’s streets, where women will protest against rape and against the false idea of women deserving to be raped if they are wearing revealing clothes. NO. If they are drunk, if they walk home alone late at night after a night out, even if they flirt or are sex workers, they DON’T give an invitation to a sexual assault.

It truly makes me angry how men insolently assume that it's fine to attack women at night, harass them with text messages after getting their number from a CONFIDENTIAL cupboard at work, or even comment on the way they look on streets. How dare they disturb our privacy and harass even if they are told to back off? I don't understand how so many of them can just get away with it.

We are all free and let us be free.

I really wish I could be in Manchester today but I hope the rest of women can make a change.

Thursday 5 May 2011

Ludwig Wittgenstein and his Tractatus Logico-Philosophicus.



Ludwig Wittgenstein was an Austrian- British philosopher who was highly interested in philosophy of mathematics, philosophy of mind, and philosophy of language. He is still seen as one of the greatest philosopher of the 20th century. He continues to influence current philosophical thought in topics as diverse as logic and language, perception and intention, ethics and religion, aesthetics and culture. He’s taken many philosophical views and ideas from his teacher- Russell. However, his philosophy differed from many. In his book ‘Tractatus Logico- Philosophicus’ he, by showing the application of modern logic to metaphysics, via language, provided new insights into the relations between world, thought and language and thereby into the nature of philosophy.

The structure of the book is simple and presents short thesis that are numbered in order to present different themes or problems that most philosophers deal with. Each of them has comments which expand the subject, in which the philosopher tries to explain the reason these problems occur. In his views it is because the logic of our language is misunderstood. The last comment of the thesis is the beginning of the next one. The 7th thesis ends and sums up the book, therefore there are no comments attached to it. The preface of Tractatus clearly explains that this is not a text book, which anyone would read and like. It can be understood and enjoyed only by those who already have the same thoughts. The author explains that the purpose of the book is to give a limit to expression of thoughts. We should express what can be expressed in words, otherwise, the rest which can’t be expressed must be left in silence.

Thesis 1- 2.063 are about the world and how it is made of facts,
2.1 till 3.03 about pictures and thoughts,
3.1 till 3.1 - 4.0641 about language,
4.1 – 6.031 reality and logic
6.1 - 7 things, that can’t be expressed.

The idea of tractatus is to show that each proposition can be broken into little parts, in order to explore the true meaning of it. Those little parts of the proposition can be broken into even smaller parts, which can help to find the way to find the facts which in the simplest way can explain the meaning of the world.

The philosopher was bothered by traditional philosophy and unnecessary talking, commonly speaking, known as ‘quaking’, therefore the thesis in his book were short, strict and convincing but also consisted problematic and deep meanings. They started from logical facts, such as ‘The world is all that is the case’ followed by ‘The world is the totality of facts, not of things’. Wittgenstein had also the courage to make an interesting criticism of his masters, the pioneers of analytical philosophy, Russell and Frege. This can be found in Thesis 5, comment 132, as he says ‘Laws of inference, which are supposed to justify inferences, as in works of Frege and Russell, have no sense, and would be superfluous’. He then expanded his horizon and the book takes an existentialist form in which he expresses his views on existence, the world, reality, God and death.

The ethical and existentialist part of the book starts at thesis 6.4 ‘All propositions are of equal value.’ And ‘The sense of the world must lie outside the world. In the world everything is as it is, and everything happens as it happens: in it no value exists [...] ‘ . Wittgenstein in these theses argues that ethic is transcendental, and because it is also a kind of aesthetics which are ‘one and the same’ therefore cannot be examined and expressed in form of the logical language.(6.422)

Wittgenstein explains there that attempts to approach language in order to talk about life after death, free will and God is a misuse of logic, since language can only reflect the real facts, that allow us find out more about the world. (6.43) Therefore, each language statement can only be the reflection of reality, and therefore any statements on ethical issues, religious or aesthetic are devoid of real significance. But also any discussion on these issues automatically become meaningless and leads to logical disagreement.
For example, he argues that it is a fact that death is not an event in life and we don’t live our lives towards experiencing it. Death is our personal end of the world so why bother talking about eternal life after death since we don’t have a proof of its existence. In his views the eternal life is our present life.


The last thesis of chapter 6 refers to the Tractatus itself. It states that this Tractatus is a kind of ladder, which must be thrown away after it has been used to climb to the top. Wittgenstein states that the philosophy contained in it, rejects itself, because it leads to the conclusion that all philosophy is irrelevant, including that contained in itself. When the ladder is thrown away, the reader will see the world alright again.

Wittgenstein believes that the structure of language and his statements about reality are equal to the structure of reality itself, which the language tries to describe. This means that the language is essentially the window we look through to see the world. Wittgenstein writes about this in his typical brief style: "The proposition is a picture of reality." (4.01) It is worth to say that Wittgenstein does not think about writing grammatical sentences, he instead writes the sentences in a logical sense, because according to him only logical sentence, not a grammatical one is the "model of reality as we imagine it." about which he writes in the book.

According to him in language we use, the sentences can be divided into three basic types: Firstly, logical sentences, which are those that allow us to highlight some facts and which allow us to say whether they are true or false.

Secondly, meaningless sentences, among which we are dealing with contradictions, which means it is the structure that decides about their falsity or honesty. For example if I say a word ‘see/sea/C’, no one will know which ‘sea/see/C’ I am talking about till I put it in the right context. It can be discovered logically. These sentences are meaningless because their truth or not depends on the fact or reality that the language is trying to describe. And thirdly those, which despite the grammatical correctness of the statements, are false because you cannot tell whether they are honest or not, either in the way of logical analysis, or verification principle.
Verification principle is very important to Wittgenstein. If the statement can’t be verified then it’s meaningless, therefore, don’t waste your time on propositions which can’t be explained, though if it reaches the pass the verification test then the proposition is true.

The book finishes with the conclusion ‘what cannot we speak about we must pass over in silence’, which sums up the whole idea of the book. By this Wittgenstein shows how to put a limit to the thought of something that can’t be said clearly. It may mean that if we can’t talk about matters such God or life after death because this is outside the reality, there is no proof of their existence and therefore our logical language can’t express their meaning in words, therefore it is better and easier to keep it quiet, not think about it and deal with more real things, such as the presence.

Saturday 26 March 2011

Winol in Polish 16/03

This is the last Winol in Polish for this term. I think I enjoyed it the most. I'm getting better at the sound editing. Trying new techniques such as having a reporter or an interviewee speak for a couple of seconds and then hearing my polish translation sounds very good in my opinion. That's what I learned this week.

You can watch my Polish bulletin here:

Winol 23.03.2011

This was the last Winol news bulletin before the well deserved Easter break. Funnily enough I wasn't too happy about leaving Winol for the whole month! Out of everyone I think Domonique and I are the only people who look forward to Wednesdays :-) We definitely need a lovely break, after such a hard working, however, highly productive term.

Production wise the bulletin went perfectly! We were extremely pleased with ourselves as we felt like we had let Winol down in the last 2 weeks with little problems that could have been easily solved- such as sports graphics. This week, thankfully, everything went extremely well- EVEN the sports graphics!

Like I said in the precious post, Maria Milano came to see how we produce a live news bulletin, which put some pressure on us all. Julie and Gareth were presenting this week. The only thing that let me down at the beginning of the day was the lack of people in the news room! It was almost 10.30 and the production team as well as presenters and a couple of reporters were the only people in the news room. It made me panic a little, but thankfully we didn't miss many deadlines. I fact, the only deadline we missed was the headlines. We usually record them at 12.30; this week we had to record them at 1.00pm instead, because of the technical problems Andy- the chief reporter was having with his headline clip. Once the headlines were recorded and edited everything went just smoothly right till 3.00 pm when we went live. But that's where we had a big surprise, which instead of making us all angry- somehow made us smile :) Exactly 3 minutes after we went live we heard a very loud 'belly' noise outside The Gallery, the first thought that came into my head was 'FIRE!' and we still carried on the live bulletin. It was in fact a fire alarm and a few seconds later we were asked to leave the place.. which meant stopping all the recording equipments.
Fortunately, it was only a fire drill (even though it would have been more exciting if it was real fire :-) ) We were soon allowed to go back in. It was 3.06 p.m and I set a new deadline for 3.10 p.m. The presenters were more than fine with it and they still seemed confident about the bulletin which made the whole process a lot easier.

We didn't have any other technical difficulties. The bulletin was presented in a really possessional and clear way. Julie did really, really well for her first time.

The debrief was quite short and... brief. Angus gave me some tips for counting down the timings of packages. In a real studio there are people, who are responsible for counting down the timings. I am doing it as well as directing, so the tips that Angus gave me were quite useful and I will definitely use them in the future.

Straight after the debrief Domonique and I went to interview Maria Milano and to ask her how she enjoyed her day at Winol ---> You can see the interview in the previous post.
Maria Milano definitely enjoyed her visit at WINOL.

Here is the last news bulletin:

Maria Milano visits Winol.

The last Wednesday of this term meant a lot to many of our fashion journalists, as the editor of In Style magazine, Maria Milano, visited our Winol team. She managed to talk to those who want to start their careers in fashion industry after graduating, as well as to see our last news bulletin this term. As she said in an interview, which I did with her before she left, she's never been behind the scenes of a live news bulletin- and that was her favourite part of the day. Here you can see what else she experienced that day:

Tom Wolfe- The New Journalism





Tom Wolfe’s famous book, The New Journalism, is a manifesto for a new type of journalism that highly differs to the old style of journalistic writings.

The age of literary movement changed Journalism from being a boring form of telling the story from scientific facts point of view to telling naturalistic, actual stories of what was being seen at the scene. Psychology had a high impact on Journalism as objectivity was no longer welcome; instead talking about an authentic experience was more wanted. People wanted to read true and honest articles. Tom Wolfe portrays how journalism has growth from old forms of writings that included unexciting facts to the new, modern journalism.

Tom Wolfe in his book presents how he wanted Journalism to become more than just reporting on current affairs. He wanted literature to help describe how the society develops in current years. The first part of the book shows how features changed Journalism from being about boring, factual news to being a way up to write a novel. He described features as stories that fall outside the category of hard news.

Reporters instead of worrying that they need to find a news story and instead of chasing the big news stories, and reporting on tragedies, focused on writing their own pieces of features that were then published in magazines such as New Yorker. Tom Wolfe however thought that joining journalism with literary devices together could make the best way of reporting on current affairs in America. People would be more interested in reading about their country in a form of a feature story, sort of like a novel- because everyone enjoys reading novels, instead of trying to work out the experimental and complicated old journalistic language. This was because Tom Wolfe felt like American novels were moving away from realism, he wanted to bring it back, as once again according to psychological concerns, people wanted truth and honesty. Wolfe thought that the only way to bring realism back to life is by mixing literary devices with journalism.


The main changes in Journalism show 4 devices that Tom Wolfe identified, which were taken from novels:

1. Scene by scene construction- It is essential for the journalists to be at the scene to see what exactly happened as this is the only way they can be honest and truthful.

2. Fully recorded dialogue- It is important to have the whole speech, as well as explaining to the audience who the interviewee is. It gives colour to the story.

3. 3rd person point of view- Not use ‘I’, explaining in 3rd person everything that is happening, everything that other people are doing, explaining what the reporter is seeing in 3rd person, as if the reporter was a character of the story too.

4. Adding details to every day’s life- concentrating on little details. Describing the weather, the way people dress, the way they express themselves.

Friday 11 March 2011

Friday 4 March 2011

Polish Bulletin Nr. 2

Here is my second Polish bulletin! The translating process was much easier than last week. I absolutely love this job. It's really awarding and enjoyable.



Now, I got in touch with a big Polish newspaper, in England- Glos Polonii, who are willing to work with me on a regular basis. You can watch my bulletins on their website: http://www.infosoton.com/

Enjoy!

Thursday 3 March 2011

Existentialism. The Outsider by Albert Camus






Philosophical existentialism had a form of several variations- Next to religious existentialism that had a strong affect on Christian philosophy, atheistic existentialism also took place. The biggest influences on the intellectual atmosphere of the first decade after World War II were literary and philosophical works of Camus. He was the representative of atheistic existentialism, who puts the spotlight on the problem of human existence in the world, settled in the perspective of self-awareness fighting for their authenticity.
Atheistic existentialism examines the "road of freedom" in a world that is meaningless. If a man wants to be himself, responsible and decisive about himself, he must constantly make choices, and be still oriented towards the future, which according to the atheistic existentialists doesn’t exist, therefore they would be orientated towards the nothingness.

The book tells the story of Mersalut, who lives his life in a different way to everyone else. I found that the whole story is just a psychological analysis of a new sort of hero, who lacks any emotions and purpose of life. The story starts when his mum dies. Afterwards, the time scale disappears and the time is no longer important. It almost feels like the time doesn’t exist and everything that is happening is just a thought process. He mechanically experiences all that is happening around him, stigmatized by a lack of emotion associated with the death of his mother, which is against the society expectations that required a certain reaction after her death. The only emotion he could focus on during the funeral was the heat.

The writing is very descriptive and simple, he details everything he sees or does. The example of the lacking time scale is when he talks about his mother’s death ‘My mum died today, or maybe it was yesterday. I don’t know’. He doesn’t have any sense of grief after receiving the telegram. Soon after her funeral, Mersalut meets Marrie- his friend, who he is physically attracted to. They sleep together and then the next thing you read about it them getting married. His is very emotionless about it. Marrie asks him ‘Do you love me? Do you want to marry him?’ To which he replies ‘if you want’ as if she asked him to go out for a walk. It meant nothing to him. He didn’t think about the consequences of their marriage, he didn’t think of the future. It all happens so quickly that the reader can’t be sure how long it has been since the previous even happened.

Mersalut focuses on the physical world, because it gives him pleasure, because it doesn’t complicate his life. He is crazily indifferent about marrying Marrie, but he doesn’t mind sleeping with her. He’s always liked the way she looks, he likes her body and mostly he likes her smile. Because it’s natural... naturally. However, he never fancies listening what she has to say. That’s because speaking is not a natural skill, this is something we learn throughout our life time experience and he doesn’t approve it.

I thought the main theme of the book is sense of detachment. Mersalut is completely detached from life. The main point:
1. His body was there at his mum’s funeral but his mind was elsewhere. He was focusing on the heat rather than the ceremony.
2. He had no emotions after his mother died. He never mentioned any feeling- nothing changed in his life.
3. He simply forgets about Marrie and everything else when he is in jail.
4. He didn’t realise he killed the Arab till the police started questioning him. That’s when he realised that he killed a human being, even that didn’t make him care.

The character changes his attitude towards life at the end of the book. He find meaning in life and learns to appreciate it after his is completely over. He shows his emotions before the execution. He shakes and screams ‘ I am ready to start life all over again’

Wednesday 2 March 2011

Winol 2/03/11

Today Winol went well as ever. This week I was put on vision mixer while Katie directed. She did a fantastic job considering it was her first time and all the pressure that was coming on to her that day. I am very proud of her :)
Vision mixing seemed to be more difficult than I remembered. I am usually the one knowing quite a lot about the vision mixing equipment but I couldn't put my mind together during the bulletin. I can blame the lack of sleep the previous night.
The gallery was calm and organised which helped us get through the hard day.

Well done everyone!

Wednesday 23 February 2011

Winol 23.02.11

This week's bulletin was a success once again. I am proud to say that our ambitions were higher than last week's and the production team has definitely reached the target we set on Monday morning. We decided to try an Outside Broadcast for the sport's presenter. The field outside the building seemed perfect to us. Having Drew perfectly setting it all up for us made the whole process much easier. Thankfully, the sound didn't play up in the actual bulletin like it did during the rehearsals.

Let’s start from the beginning. Most of us came in at 9.00 am, all confident and ready for another hardworking day. Everything seemed to be going well till about 11.00 when the tension started building up in the news room due to the lack of the script writer- Cara, who was late. However, she did an excellent job once she turned up and after the scrip system completely crashed which meant doing the script on Word Document. Therefore, the headlines were delayed by 3 mins, which made us all even more stressed out. I could just see how the bulletin falls apart. Instead, we all got extremely organised- as long as we work together then everything is going to be good. Everyone had a set job and everyone knew what they were doing. We all got on with our jobs and got it all done on time, which was great and relieving.

Hana and I pre- recorded a conversation about the Polish bulletin that I produced a day before. That was a part of our news bulletin today. Afterwards, we finally recorded the headlines, which went smoothly. Hana has a beautiful and clear voice. She was confident in front of the camera which made the whole recording easier.

Unfortunately, as usual, we had some technical problems- 5 minutes before we were supposed to go live! The VT machine completely crashed and we lost all of the packages on the system. Luckily enough, instead of panicking I took a deep breath and calmly reopened the system and put all the packages back on there. By that time we had 1.5 minutes to go live and everything was working just perfectly well.

For the OB we used a great iPhone application which allowed us to have an auto-cue outside the studio. That was simply fantastic. I absolutely love what the technology can offer us these days. Jake has done an incredible job, considering that he didn't have a talkback.

My aim this week was to make an ending sequence with music and credits at the end of the bulletin, which I think went well.


I think we can comfortably say that this week’s bulletin was highly successful.

Well done everyone!