Friday, 10 June 2011

Slut Walk Manchester- Trust me, my mini skirt has nothing to do with you!

We live in the 21st century, in the world of freedom, democracy and privacy. We should be free to choose our own paths in life, we should be free to speak and we should be free to do what we want. We live only once in this world and as human beings, we have the rights to live in dignity and enjoy our lives and let others enjoy theirs.

Women are subject to all sorts of assaults the minute they step out into the streets - whistles, cat calls, lame comments, propositions, stares etc. The stories are all too common and they are based on incidents that occur every minute of every day on the streets.

And this is for all those who say, well, the women invite it by the way they dress. Since when do women need to control the way they look? Why can’t they wear anything to show off their perfect bodies without being accused of looking like ‘sluts’ and since when wearing short skirts is an invitation for men to approach women? It’s their own choice to wear what they want. Respect it. What does a woman's dress have to do with how a man reacts to her? Men seem to think women dress for them, while they REALLY do not. Everyone loves looking good and sexy but that’s because it makes them feel good about themselves. And yes, of course women like some male attention, but that’s not an invitation to anything.

What gives a man the right to think he can feel up a woman no matter how she is dressed? Do women, then, have the right to do whatever it pleases them to a man because they like the colour of his shirt? It all makes me so angry. It’s just unbelievably wrong.


In January, a Toronto police officer told students that in order to avoid being raped 'women should avoid dressing like sluts'. This outrage statement basically says that if we behave or dress in certain ways, we deserve to be raped. That’s an attitude in our society which needs to be fought against and needs to be CHANGED. Rape is NEVER the fault of the survivor.


Today at 19.00 SlutWalk will take place on Manchester’s streets, where women will protest against rape and against the false idea of women deserving to be raped if they are wearing revealing clothes. NO. If they are drunk, if they walk home alone late at night after a night out, even if they flirt or are sex workers, they DON’T give an invitation to a sexual assault.

It truly makes me angry how men insolently assume that it's fine to attack women at night, harass them with text messages after getting their number from a CONFIDENTIAL cupboard at work, or even comment on the way they look on streets. How dare they disturb our privacy and harass even if they are told to back off? I don't understand how so many of them can just get away with it.

We are all free and let us be free.

I really wish I could be in Manchester today but I hope the rest of women can make a change.

Thursday, 5 May 2011

Ludwig Wittgenstein and his Tractatus Logico-Philosophicus.



Ludwig Wittgenstein was an Austrian- British philosopher who was highly interested in philosophy of mathematics, philosophy of mind, and philosophy of language. He is still seen as one of the greatest philosopher of the 20th century. He continues to influence current philosophical thought in topics as diverse as logic and language, perception and intention, ethics and religion, aesthetics and culture. He’s taken many philosophical views and ideas from his teacher- Russell. However, his philosophy differed from many. In his book ‘Tractatus Logico- Philosophicus’ he, by showing the application of modern logic to metaphysics, via language, provided new insights into the relations between world, thought and language and thereby into the nature of philosophy.

The structure of the book is simple and presents short thesis that are numbered in order to present different themes or problems that most philosophers deal with. Each of them has comments which expand the subject, in which the philosopher tries to explain the reason these problems occur. In his views it is because the logic of our language is misunderstood. The last comment of the thesis is the beginning of the next one. The 7th thesis ends and sums up the book, therefore there are no comments attached to it. The preface of Tractatus clearly explains that this is not a text book, which anyone would read and like. It can be understood and enjoyed only by those who already have the same thoughts. The author explains that the purpose of the book is to give a limit to expression of thoughts. We should express what can be expressed in words, otherwise, the rest which can’t be expressed must be left in silence.

Thesis 1- 2.063 are about the world and how it is made of facts,
2.1 till 3.03 about pictures and thoughts,
3.1 till 3.1 - 4.0641 about language,
4.1 – 6.031 reality and logic
6.1 - 7 things, that can’t be expressed.

The idea of tractatus is to show that each proposition can be broken into little parts, in order to explore the true meaning of it. Those little parts of the proposition can be broken into even smaller parts, which can help to find the way to find the facts which in the simplest way can explain the meaning of the world.

The philosopher was bothered by traditional philosophy and unnecessary talking, commonly speaking, known as ‘quaking’, therefore the thesis in his book were short, strict and convincing but also consisted problematic and deep meanings. They started from logical facts, such as ‘The world is all that is the case’ followed by ‘The world is the totality of facts, not of things’. Wittgenstein had also the courage to make an interesting criticism of his masters, the pioneers of analytical philosophy, Russell and Frege. This can be found in Thesis 5, comment 132, as he says ‘Laws of inference, which are supposed to justify inferences, as in works of Frege and Russell, have no sense, and would be superfluous’. He then expanded his horizon and the book takes an existentialist form in which he expresses his views on existence, the world, reality, God and death.

The ethical and existentialist part of the book starts at thesis 6.4 ‘All propositions are of equal value.’ And ‘The sense of the world must lie outside the world. In the world everything is as it is, and everything happens as it happens: in it no value exists [...] ‘ . Wittgenstein in these theses argues that ethic is transcendental, and because it is also a kind of aesthetics which are ‘one and the same’ therefore cannot be examined and expressed in form of the logical language.(6.422)

Wittgenstein explains there that attempts to approach language in order to talk about life after death, free will and God is a misuse of logic, since language can only reflect the real facts, that allow us find out more about the world. (6.43) Therefore, each language statement can only be the reflection of reality, and therefore any statements on ethical issues, religious or aesthetic are devoid of real significance. But also any discussion on these issues automatically become meaningless and leads to logical disagreement.
For example, he argues that it is a fact that death is not an event in life and we don’t live our lives towards experiencing it. Death is our personal end of the world so why bother talking about eternal life after death since we don’t have a proof of its existence. In his views the eternal life is our present life.


The last thesis of chapter 6 refers to the Tractatus itself. It states that this Tractatus is a kind of ladder, which must be thrown away after it has been used to climb to the top. Wittgenstein states that the philosophy contained in it, rejects itself, because it leads to the conclusion that all philosophy is irrelevant, including that contained in itself. When the ladder is thrown away, the reader will see the world alright again.

Wittgenstein believes that the structure of language and his statements about reality are equal to the structure of reality itself, which the language tries to describe. This means that the language is essentially the window we look through to see the world. Wittgenstein writes about this in his typical brief style: "The proposition is a picture of reality." (4.01) It is worth to say that Wittgenstein does not think about writing grammatical sentences, he instead writes the sentences in a logical sense, because according to him only logical sentence, not a grammatical one is the "model of reality as we imagine it." about which he writes in the book.

According to him in language we use, the sentences can be divided into three basic types: Firstly, logical sentences, which are those that allow us to highlight some facts and which allow us to say whether they are true or false.

Secondly, meaningless sentences, among which we are dealing with contradictions, which means it is the structure that decides about their falsity or honesty. For example if I say a word ‘see/sea/C’, no one will know which ‘sea/see/C’ I am talking about till I put it in the right context. It can be discovered logically. These sentences are meaningless because their truth or not depends on the fact or reality that the language is trying to describe. And thirdly those, which despite the grammatical correctness of the statements, are false because you cannot tell whether they are honest or not, either in the way of logical analysis, or verification principle.
Verification principle is very important to Wittgenstein. If the statement can’t be verified then it’s meaningless, therefore, don’t waste your time on propositions which can’t be explained, though if it reaches the pass the verification test then the proposition is true.

The book finishes with the conclusion ‘what cannot we speak about we must pass over in silence’, which sums up the whole idea of the book. By this Wittgenstein shows how to put a limit to the thought of something that can’t be said clearly. It may mean that if we can’t talk about matters such God or life after death because this is outside the reality, there is no proof of their existence and therefore our logical language can’t express their meaning in words, therefore it is better and easier to keep it quiet, not think about it and deal with more real things, such as the presence.

Saturday, 26 March 2011

Winol in Polish 16/03

This is the last Winol in Polish for this term. I think I enjoyed it the most. I'm getting better at the sound editing. Trying new techniques such as having a reporter or an interviewee speak for a couple of seconds and then hearing my polish translation sounds very good in my opinion. That's what I learned this week.

You can watch my Polish bulletin here:

Winol 23.03.2011

This was the last Winol news bulletin before the well deserved Easter break. Funnily enough I wasn't too happy about leaving Winol for the whole month! Out of everyone I think Domonique and I are the only people who look forward to Wednesdays :-) We definitely need a lovely break, after such a hard working, however, highly productive term.

Production wise the bulletin went perfectly! We were extremely pleased with ourselves as we felt like we had let Winol down in the last 2 weeks with little problems that could have been easily solved- such as sports graphics. This week, thankfully, everything went extremely well- EVEN the sports graphics!

Like I said in the precious post, Maria Milano came to see how we produce a live news bulletin, which put some pressure on us all. Julie and Gareth were presenting this week. The only thing that let me down at the beginning of the day was the lack of people in the news room! It was almost 10.30 and the production team as well as presenters and a couple of reporters were the only people in the news room. It made me panic a little, but thankfully we didn't miss many deadlines. I fact, the only deadline we missed was the headlines. We usually record them at 12.30; this week we had to record them at 1.00pm instead, because of the technical problems Andy- the chief reporter was having with his headline clip. Once the headlines were recorded and edited everything went just smoothly right till 3.00 pm when we went live. But that's where we had a big surprise, which instead of making us all angry- somehow made us smile :) Exactly 3 minutes after we went live we heard a very loud 'belly' noise outside The Gallery, the first thought that came into my head was 'FIRE!' and we still carried on the live bulletin. It was in fact a fire alarm and a few seconds later we were asked to leave the place.. which meant stopping all the recording equipments.
Fortunately, it was only a fire drill (even though it would have been more exciting if it was real fire :-) ) We were soon allowed to go back in. It was 3.06 p.m and I set a new deadline for 3.10 p.m. The presenters were more than fine with it and they still seemed confident about the bulletin which made the whole process a lot easier.

We didn't have any other technical difficulties. The bulletin was presented in a really possessional and clear way. Julie did really, really well for her first time.

The debrief was quite short and... brief. Angus gave me some tips for counting down the timings of packages. In a real studio there are people, who are responsible for counting down the timings. I am doing it as well as directing, so the tips that Angus gave me were quite useful and I will definitely use them in the future.

Straight after the debrief Domonique and I went to interview Maria Milano and to ask her how she enjoyed her day at Winol ---> You can see the interview in the previous post.
Maria Milano definitely enjoyed her visit at WINOL.

Here is the last news bulletin:

Maria Milano visits Winol.

The last Wednesday of this term meant a lot to many of our fashion journalists, as the editor of In Style magazine, Maria Milano, visited our Winol team. She managed to talk to those who want to start their careers in fashion industry after graduating, as well as to see our last news bulletin this term. As she said in an interview, which I did with her before she left, she's never been behind the scenes of a live news bulletin- and that was her favourite part of the day. Here you can see what else she experienced that day:

Tom Wolfe- The New Journalism





Tom Wolfe’s famous book, The New Journalism, is a manifesto for a new type of journalism that highly differs to the old style of journalistic writings.

The age of literary movement changed Journalism from being a boring form of telling the story from scientific facts point of view to telling naturalistic, actual stories of what was being seen at the scene. Psychology had a high impact on Journalism as objectivity was no longer welcome; instead talking about an authentic experience was more wanted. People wanted to read true and honest articles. Tom Wolfe portrays how journalism has growth from old forms of writings that included unexciting facts to the new, modern journalism.

Tom Wolfe in his book presents how he wanted Journalism to become more than just reporting on current affairs. He wanted literature to help describe how the society develops in current years. The first part of the book shows how features changed Journalism from being about boring, factual news to being a way up to write a novel. He described features as stories that fall outside the category of hard news.

Reporters instead of worrying that they need to find a news story and instead of chasing the big news stories, and reporting on tragedies, focused on writing their own pieces of features that were then published in magazines such as New Yorker. Tom Wolfe however thought that joining journalism with literary devices together could make the best way of reporting on current affairs in America. People would be more interested in reading about their country in a form of a feature story, sort of like a novel- because everyone enjoys reading novels, instead of trying to work out the experimental and complicated old journalistic language. This was because Tom Wolfe felt like American novels were moving away from realism, he wanted to bring it back, as once again according to psychological concerns, people wanted truth and honesty. Wolfe thought that the only way to bring realism back to life is by mixing literary devices with journalism.


The main changes in Journalism show 4 devices that Tom Wolfe identified, which were taken from novels:

1. Scene by scene construction- It is essential for the journalists to be at the scene to see what exactly happened as this is the only way they can be honest and truthful.

2. Fully recorded dialogue- It is important to have the whole speech, as well as explaining to the audience who the interviewee is. It gives colour to the story.

3. 3rd person point of view- Not use ‘I’, explaining in 3rd person everything that is happening, everything that other people are doing, explaining what the reporter is seeing in 3rd person, as if the reporter was a character of the story too.

4. Adding details to every day’s life- concentrating on little details. Describing the weather, the way people dress, the way they express themselves.

Friday, 11 March 2011